I kind of feel like I willed this song into existence. Between my constant mentions of ONF’s electro-funk mix of It’s Raining last year, to The Bias List’s latest endeavor …
Read More »[Review] Sunmi’s “Tail” feels like a “24 Hours” follow-up
After painting the year retro in 2020, Sunmi has re-emerged with her first single of 2021. She stubbornly refuses to grace us with a mini or full album, but the …
Read More »[Review] “Don’t Call Me” updates SHINee’s sound, for better or worse
It’s been about two and a half years since SHINee’s last comeback, and longer since they actively promoted a title track. Don’t Call Me arrives in between military enlistments, with …
Read More »[Review] TRI.BE debuts with familiar, tested sound on “Doom Doom Ta”
Over the past few months, some of K-pop’s most respected producers have creating groups of their own. Last November saw the debut of STAYC, under the guidance of duo Black …
Read More »[Review] CIX finally get their feet on solid ground with “Cinema”
Though they debuted back in 2019, CIX have yet to release a title track or album that has connected with me. Within the idol worship world that is K-pop fandom, …
Read More »[Review] “Good Girl” includes some messiness but get carried through by HyunA
Though HyunA released I’m Not Cool last week, she was originally scheduled to promote a different track last year. That song is Good Girl, which officially breaks free of its …
Read More »[Review] HyunA’s charisma tries its best to carry “I’m Not Cool”
Oftentimes, it feels as if I appreciate the idea of a HyunA song more than the actual song itself. She’s such a fierce, charismatic performer, and has played an integral …
Read More »[Review] IU’s “Celebrity” sidelined by some odd percussion choices
Taken together, IU’s past three singles (Blueming, Eight and Into the I-LAND) form an overarching sound that comes across as quite cohesive. They’re all feel-good, sing-along pop anthems, and I …
Read More »[Review] Golden Child get dramatic & intense on excellent “Burn It”
Over the past few years, Golden Child have displayed a versatility in both concept and sound. This can be a dangerous road to travel, and oftentimes results in a hodgepodge …
Read More »[Review] ONEUS’s “No Diggity” doesn’t live up to its namesake
Lately, I’ve noticed a worrying boy group trend. I like to think of it as “the Road to Kingdom effect”. It’s like a K-pop pissing contest, where comeback tracks have become little …
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