Back in August, I praised the symphonic instrumental of D-Crunch’s debut track “Palace“, but lamented the fact that the song lacked a strong chorus. Then again, a debut doesn’t often …

Earlier this year, I spent much of my review of Hyoyeon’s first DJ HYO track bemoaning its lack of structural risk-taking. It slavishly followed the standard EDM, beat-drop archetype. And the …

As 2018 draws to a close, I can’t help but think the year has been short on memorable debuts. Sure, there were the big ones (LOONA, Stray Kids), but even …

Gugudan’s unique “acts” concept has allowed them to explore a variety of styles since their debut in 2016. While this diversity can be exciting and unpredictable, it makes it difficult …

Whenever a group is as active as Twice has been this past year, they run the risk of succumbing to listener fatigue. Between Korean and Japanese releases, the girls’ brand of quirky cute has been omnipresent. …

Though members of EXO have kept busy with solo projects and sub-units, it feels like forever since we’ve been treated to a full comeback from the group. Their new album, …

Though they’ve yet to enjoy mainstream success, rookie group BLACK6IX have drawn on K-pop’s past to release a pair of solid singles. This refreshing adherence to a 2011/12 sound continues …

As the years have gone on I’ve become a bit disillusioned with the whole ‘Produce 101‘ format. The show is still an absolute juggernaut, with a far-reaching shadow that touches …

When it comes to boy groups, it seems like the majority of international fans prefer a darker, more brooding concept. I’m the exact opposite, which makes Golden Child a gift …

The K-pop industry has always had a tricky relationship with mental health. Its performers put on an impossibly cheerful façade, so much so that media training is almost as important …