Reviews

If you’ve been reading TheBiasList long enough, you’ll know that GOT7 have often become the punching bags for my trend-related complaints over the past few years. Obviously I don’t hate …

I’ve always appreciated Woollim Entertainment’s ability to curate music that stays true to its artists’ personas. While so many others rush to jump on whatever’s popular at the moment, a …

Last year, my favorite SEVENTEEN song wasn’t a Korean title track at all. It was their first original Japanese single, “Call Call Call“, which harnessed the guitar-fueled dance pop sound …

Weki Meki have provided more to dislike than like with their title tracks so far, and their releases so far has contained at least one album track that was superior. …

Since their return in 2016, Ladies’ Code have pursued a more muted, moodier pop sound. But it’s been years since we’ve had a proper comeback from the girls, which makes …

When WINNER first debuted in 2014, they seemed poised to become YG Entertainment’s answer to K-pop’s more “grown up” side – not exclusively ballad-centered, but not striving to compete with …

Though the girls have more or less denied it, there’s a chance that “Me & You” may be EXID’s final Korean title track — at least in the group’s current …

NCT 127 are releasing a new album called ‘We Are Superhuman‘ soon, and they’ve dropped a ‘film’ music video of a pre-release track called “Highway To Heaven“. If the album …

A little less than a week ago, Oh My Girl made a comeback with “The Fifth Season“, and it’s taken me this long to cover it because it’s something I …

Rainbow Bridge World’s ambitious double debut of ONEUS and ONEWE has finally come to fruition! ONEWE had to wait a few months longer (and already seem to be getting less …