Reviews

Super Junior’s Yesung first debuted as a soloist in 2016, and pretty much all of his Korean work has gone down the same emotional ballad route. He’s an excellent vocalist, …

SF9 have always struck me as the quintessential, generic boy group. Talented, yes, but without a defining style or concept that would make them memorable. Their singles tend to feel …

To say that Lay’s solo music is not for me would be an understatement. Apart from a solid track here or there, I find that most of his work represents …

Between their Korean and Japanese promotions, IZ*ONE are set to accrue the largest discography of any ‘Produce 101‘ group yet. Their cross-country releases are a shrewd business move, but I’m …

My anticipation for TVXQ’s long-awaited comeback was through the roof last year, but things didn’t go exactly as I’d hoped. Yes, the duo delivered two very solid albums, but each lacked …

It’s been a long road leading up to Somi’s solo debut. As the center for I.O.I, she enjoyed instant fame and shouldered endless speculation over where her career would go …

After the disbandment of Wanna One, many of its members had newly-formed groups to conveniently slide into. But, some of the most popular Wanna One personalities were heading back to …

Paired with the more uncharacteristic “Breakthrough“, “HAPPY HAPPY” is one half of a double-sided blitz from TWICE’s upcoming Japanese promotions. The two songs come together to represent contrasting moods for …

The smartest thing that ATEEZ have done so far is stick with the same team of producers for each and every track. Like many newer K-pop acts, they self-produce a …

TWICE have dropped a pair of Japanese songs recently in “HAPPY HAPPY” and “Breakthrough“, and while the former is nice enough on its own, the latter is where my primary …