Editorials

As I’ve previously alluded to, the ongoing FIFTY FIFTY contract dispute and the now relitigation of the OMEGA X abuse case seem to be less and less about those two …

Since their debut in 2020, PURPLE KISS have slowly built up one of my favorite girl group discographies, rarely misfiring while being led by standouts singles like “Zombie” and their …

SM Entertainment teased RIIZE with the pre-release of “Memories”, and while the scattershot approach didn’t have me onboard yet, it did effectively tease a more melodic potential compared to the …

PLAVE are deservedly exploding, and as an early adopter of them, I couldn’t be happier. They’re just a lot of fun, and their music has been quality so far as …

Following Nayeon and “POP!” from over a year ago now (!!!), TWICE member Jihyo has made her solo debut with “Killin’ Me Good“. While I’ve always thought the group embodied …

tripleS and their assorted subunits have gotten off to an impressive start so far, both musically and conceptionally. “Generation” and “Rising” were both on my personal pop hits chart, while …

Despite some honestly odd social media concern about their trajectory, STAYC have continued to rise over the years. After stagnating a bit at merely successful (oh heavens!) with “Beautiful Monster“/We …

The Korean Fair Trade Commission has launched an investigation of a few entertainment companies over the last three days, and the matter involves sales of photocards. Specifically SM Entertainment, YG …

When Kwon Eunbi made her solo debut after IZ*ONE, I wasn’t that impressed with her earliest offerings like “Door” and “Mirror“*. Perhaps that carried over into early judgments against “Glitch” …

Well, it’s been a while for INFINITE, hasn’t it? Over 4.5 years since their last single and a year longer than that since they were six, and as K-pop has …