Reviews

Despite denials that ARTMS would be a group back when the name initially emerged, it is indeed a group consisting of ODD EYE CIRLE plus Haseul and Heejin, the other …

BAE173 have been around since 2020, but their sound had yet to really capture my attention. Enter “Fifty-Fifty“, which seeps with passionate energy but avoids falling into the anti-melodic pitfalls …

CRAVITY have been around since 2020, but despite regular comebacks, they hadn’t yet released a single that really connected with me. Needless to say then, “Love Or Die” left me …

In my belated review of her pre-release track “Think About” (it’s still subtly catchy), I noted that MAMAMOO member Moonbyul had long musically seemed like a jack of all trades …

IU‘s first two singles for her The Winning return were a hit and then a miss, though neither song were in genres that resided in my personal wheelhouse. “Shopper” changes …

In the latest Rundown I alluded to songs I was going to cover later, and well, I decided to do it now. These two tracks sorta encapsulate the high-end of …

After having some time to marinate with NEMOPHILA‘s newest album, EVOLVE, I find that I can’t stop diving back in. K-pop releases since its release have served as a quick …

VANNER debuted back in 2019, but count me among those who didn’t see much reason to take notice until they won on Peak Time. Their redebut with “Performer” was solidly …

Following the relative success of “Wife”, which at bare minimum generated a ton of discourse and therefore attention for their comeback, (G)I-DLE‘s title track for their album 2 is now …

IU announcing her return for the first time in over two years alone would’ve been enough to be an event, but doing so by revealing that the music video for …